Introduction

What is Typography?

The written word is history

To write without a pen

Bibliography

+ 3 The written word is history

A visible language, e.g. the alphabet, is different to a more generalised concept of visual language (a smile, nod of the head, signs etc.). A child who has not yet learned the complex structures of speech can still communicate with us though a series of universal 'built in' utterances and visual messages. We comprehend visual signs long before we can articulate or name them. Robert Rieber suggests; "Cognizing of 'things' is prior to cognizing of words. And this priority must have applied to the development of language in the species as well as it does to contemporary human individuals." 12
The precise historical origins of language are unknown but Rieber's suggestion that its development was like that of a child seems plausible. We first learn to recognise objects (Pictograms) and then signs that represent them (Ideograms). As speech develops we learn their 'names' and after a while learn symbols that embody individual sounds within their spoken name (Phonograms). In the last two sentences, using Rieber's metaphor, I have swept through history from primeval man (500, 000 years ago) through to the first scripts (3,500 B.C.) and on to the Roman era (around 1500 B.C.) when what we recognize as the alphabet was evolving. It is from this time that man could be said to possess a visible language - a visible rendering of the voice. The aim of this essay is not to study the history or development of our verbal language but to look at the verbal/visible relationship as it exists since the evolution of writing. By definition (Collins English Dictionary 1994) history does not start until this development.

"Prehistoric; man's development before the appearance of the written word"

12
Robert. W. Rieber; Dialogues on the Psychology of Language and Thought (1983)

13-15
Walter. J. Ong; Legibility Research Abstracts (1970)

16
Jon Wozencroft; Fuse 1994

17
Brian Stock; Text, Readers and Enacted Narratives-Visible Language 20.3 (1986)

This implies that history only exists if it has been written down. Unwritten knowledge exists, but it is transmitted only by word of mouth and as such it is unfixed. Dates can be forgotten, words denied, names changed, the crux of a story can be shifted. "Without written records, knowledge threatens constantly to slip away. Words are always thought of as fleeting, vanishing - Homer calls them 'winged words' - for they are thought of only as sounds, which of course is what words really are. Sound itself is not only perishable but always actually perishing. Sound exists only when it is going out of existence." 13. Walter. J. Ong uses the term 'Oral cultures' and on the subject of absorbing history he writes of how such cultures must "invest their efforts not in developing new knowledge but in retaining what knowledge is had" 14 The written word, be it an account of an actual happening, a fictional story or a thought or idea, is always the making of history. It lingers on long after its author has laid down his/her pen and becomes evidence that thoughts existed. "Without the written word knowledge can only be gained by listening to someone talk. In a chirographic or writing culture, one could study alone without any sound at all, with only a book. In this setting individuals began to think for themselves." 15 But even a written communication could not be seen by more than a small number of readers and their recollection of that information, without referring to it, will become 'fleeting' once more. And so duplication, translation and interpretation of writing came about and again knowledge becomes unfixed. The printed word is perceived as a verification of knowledge. It enables its readers, when ever and where ever they are in the world, to believe in its veracity. Lies can be printed but the reader can be sure that those lies have been untouched by it's journey through time and space.

We are now coming to the end of a period that in the future may be referred to as that of a printed culture. The printed word figures much more in our visual lives than writing. "Typeset messages are everywhere, but few people have any say (or indeed show any interest) in their invention. As McLuhan said 'the information environment in which we live is quite as imperceptible to us as water is to a fish'"
16 Often we use the printed page and believe in it because speech cannot be trusted, let alone heard. We set information in text as a sign of our convictions. The proof that, say, someone is a professor or that someone has passed a driving test is not in observing their knowledge or in seeing them drive, it is in reading printed certificates. Revolutionaries, political parties and groups of artists produce manifestos to say what is going to happen and what they are going to achieve, not as a record of what has happened. The texts come to be as important as their actions. Writing, if set in print, becomes subconsciously solidified and takes on the immovable qualities that are associated with its production. Brian Stock describes the chirographic culture as the "textual community". He talks of how the printed word, is used to verify verbal language. "The norms of a bureaucracy, even the agenda of a meeting, can be a 'textual community', depending on the relationship between texts and action." 17Text has long been used as a certificate of conviction but with the development of digital technology knowledge threatens to become unfixed once more.

We are now moving towards what, for the sake of continuity, I will call the Technological Community. The terminology used by the old hierarchy of print is still used, but like them, it will soon disappear. How long can terms like leading, body size and even type itself survive now they have ceased being physical objects? In the digital age they are just units on a screen; pixels, on or off, 0 or 1.

My aim, to design a typeface that reconsiders the relationship between language and the alphabet, is made easier by the mode of todays technology, where nothing is tangible or ever really exists. Like Ong's remark that spoken language "only exists when it is going out of existence", digital language only appears to exists when your machine is switched on. Perhaps digital information can be said to be as fleeting as the spoken word, for we still feel the need to print out what appears on our screens either to see how it 'really' looks or through a fear that it might disappear.

To write without a pen